Bobby McFerrin proves that an audience understands the pentatonic scale almost instinctively
see the cricket
all on its own—
hop! and it’s gone
Ladies and gentlemen, the wonder that is Open-Window Man. Able to instantly enter any open window, no matter how imperceptibly cracked open. And his signature does-what-it-says move, the DEFENESTRATION PUNCH!!!
Dial H #12
Written by China Mieville
Pencilled by Alberto Ponticelli
Inked by Dan Green
I.
summer breezes:
I reach out, but
nothing is there.
II.
hello, Sir Bug!:
now just stay there,
far from me.
III.
cool and dark,
alone in bed:
I remember…
n.b.: for these haiku, I attempted to follow the rule of 17 morae rather than 17 syllables. As I’m not a natural linguist, I find the concept of morae difficult to understand, much less explain. But the broad sweeping generalizations are: syllables with a short vowel sound are one mora while those with a long vowel sound or diphthong are two morae; and the Japanese count the n-sound as its own mora when it ends the syllable. If anyone more linguistically-inclined wished to attempt further explication, I’d be delighted to learn.
This is my jam. And every other jam in the world.
“In the Club Tonight”
The Axis of Awesome